© Bohumil Kostohryz
Let’s come together and dance.
We are the movement and we are the groove.
Our bodies extend into each other until complete dissolving.
Here and now, the dance floor is ours.
Out of space and out of time, only devotion counts.
Tanzwut brings together like-minded people wanting to practice the transgression of their personal borders and the outbreak of social norms through dance.
Throughout the centuries dance appeared repeatedly as a means of liberation and ecstasy and at the same time as a way of disciplining and healing the body. The medieval dancing plague, the Tarantella, religious and spiritual practices as well as the Clubbing Culture are only some examples fort this. Inspired by these phenomena Tanzwut explores the role of dance in today’s society and declare the theatre as a space of liberation.
Idea and concept : Anne-Mareike Hess
Development and performance : Rosalind Goldberg, Anne-Mareike Hess, Sigrid Kopperdal Hirsch, Jorge De Hoyos
Sound design: Marc Lohr
Stage & costume: Katrin Fürst
Light design: Brice Durand
Dramaturgy: Mira Moschallski
Production manager: Jérôme Konen
Coproduction: Centre de Création Chorégraphique Luxembourgeois - TROIS C-L
Support: Ministère de la Culture Luxembourg, Oeuvre Nationale de Secours Grande-Duchesse Charlotte - Fonds stART-up, Der Regierende Bürgermeister von Berlin – Senatskanzlei, Fonds culturel national, Fondation Indépendance, Dock 11, HZT-Hochschulübergreifendes Zentrum Tanz Berlin, Tanztendenz München, Weld Stockholm, Skogen Gothenburg
From dance to trance
Anne-Mareike Hess explores the edges of a liberating discipline
“(...) Her [Anne-Mareike Hess’] approach is arduous, as it is stripped of everything that is not strictly relevant to her argument. However, she impresses with her requirement for both choreography and technique. (...) The way the choreography occupies the space with only four dancers is quite remarkable. (...) A performance that is remarkable to observe, especially the one executed by Anne-Mareike Hess who manages to give the impression that she has no control over her body anymore, while she actually controls the slightest
part of it in order to achieve the simulation of the symptom.”
Article by Marie-Laure Rolland for Luxemburger Wort 20.10.2014
October 17th 2014 | Banannefabrik (LU)
October 18th 2014 | Banannefabrik (LU)
October 31st 2014 | Valvesali (Oulu, FIN)
November 1st 2014 | Valvesali (Oulu, FIN)
November 13th 2014 | Dock 11 (Berlin, DE)
November 14th 2014| Dock 11 (Berlin, DE)
November 15th 2014 | Dock 11 (Berlin, DE)
March 31st 2015 | Inkonst (Malmö, SWE)
April 1st 2015 | Inkonst (Malmö, SWE)
April 11th 2015 | Weld Stockholm (SWE)
April 12th 2015 | Weld Stockholm (SWE)
June 19th 2015 | "Time to dance" Festival at Zirgu pasts Riga [LV]
January 9th 2016 | Skogen Gothenburg (SE)
January 10th 2016 | Skogen Gothenburg (SE)
2020-2025 aide à la structuration
conventionnée avec le ministère de la Culture, Luxembourg